One Lost Day

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theartofanimation:

Brian Kesinger

republicx:

The door to the unusual surrealism: interview with Alice Lin

Beijing based illustrator, Alice Lin, opens doors for us and invites everyone to discover her dark, creative and surrealistic world of art. You can recognize her works by identifying the connection between art, animals, and nature. Alice always manages to build an emotional bridge between viewer and subject. Her colors are like that of illustrations and drawings and are usually calmingly soft. Every single one of her photos has its own story. Alice brings darkness to her works and combines it with fairytales, childhood’s memories and perceptions. So what is Alice Lin like? And how does she come up with such ideas? I asked her about these things in our short chat.  

At what age did you started illustrating and how did it happen?
I started drawing at 5 years old. At that age I was a very naughty little girl but drawing kept me quiet. My mom liked to let me draw so that she could take care of me easier.

How long does it take for you to finish one artwork?
It takes different amounts of time with every piece of work. Sometimes I get a new idea in a moment, sometimes it can take a long time. If I get a good idea, to draw it will take me about half a month.

Illustrations and paintings always seemed to me as a quite diligent thing to do. Do you think patience and thoroughness are the characteristics that artist need to have for creating such art?
Yes, having enough patience and thoroughness in art is necessary and indispensable.

I always ask this question: who or what inspires you?
So many things give me inspiration: fairy tales, music, pictures, movies, dreams, etc. From when I was a kid I liked to draw my imagined world, a place where the things that don’t exist in this world can be.

Your art can be perceived as dark and full of emotions. What kind of emotions and feelings are you trying to reflect?
Life. I have seen the birth of life and death. I am always aware that life is great and fragile. However one day we will all disappear. I always ask a question to myself : Are we real? Do we exist? Are we just illusive?

Animals are a big part of your artworks as well. Why is that?
Animals and plants are my favorite subjects because I love this world and I hope the animals, plants, and humans can exist in harmony in this world forever. No death, no war, without the pain of sickness. But the truth is everything has its end and we must comply with the laws of nature.

If you have to describe yourself in three words, what they would be and why?
SENSITIVE (my emotions are too rich). ELEGANCE (I like poetic expression). GENEROUS (I like to share)

Do you have any other hobbies besides illustrations and drawings?
Yes, besides drawing I was working for 3D art company Maya VFX and MEL (Maya Embed lauguage) scripting. I enjoy this work but it’s very different from drawing. These two work fields let my brain alternate between logic and emotion.

southpauz:

True story.

I just wanted a refill on my Sprite. 

That’s all I wanted.

and I would have done anything for it

deviantart:

+Watch: PatiMakowska’s gorgeous Gallery, filled with lovely landscapes and abandoned spaces!

lohrien:

Illustrations by Andrzej Sykut

erikkwakkel:

Medieval Batman
Quite a way to test your pen: drawing a figure that looks like, well, Batman. The nib of medieval quills needed constant adjusting, cutting with a knife. In order to see if it had the right shape, the scribe would test it out on a blank page. This one is filled with such pen trials, most of them written vertically: nonsense words, elongated letters and wobbly lines, all at least 500 years old. The biggest trial, however, looks familiar: a hooded man in which we may see Batman. Long live the needy medieval pen, which produced such delightful creations!
Pic: Paris, Bibliothèque Mazarine, MS 3475 (15th century).

erikkwakkel:

Medieval Batman

Quite a way to test your pen: drawing a figure that looks like, well, Batman. The nib of medieval quills needed constant adjusting, cutting with a knife. In order to see if it had the right shape, the scribe would test it out on a blank page. This one is filled with such pen trials, most of them written vertically: nonsense words, elongated letters and wobbly lines, all at least 500 years old. The biggest trial, however, looks familiar: a hooded man in which we may see Batman. Long live the needy medieval pen, which produced such delightful creations!

Pic: Paris, Bibliothèque Mazarine, MS 3475 (15th century).

jonesypop:

tinyteepee:

Erica Jones

thing i did for the tiny teepee prompt! i’m very honored to have been asked to join. i finally got the confidence to participate. everyone over there is insanely talented

jonesypop:

tinyteepee:

Erica Jones

thing i did for the tiny teepee prompt! i’m very honored to have been asked to join. i finally got the confidence to participate. everyone over there is insanely talented

cross-connect:

GIFs by Pensylvania-based independent animator and LATE NIGHT WORK CLUB member Charles Huettner

Tumblr | Twitter

vimeo:

You may remember a little video that finally answered the question: “what if robots argued in dubstep?”

Watch.

Ferngully 1992

(Source: hannibal-flower-of-hell)

sosuperawesome:

Catherina Türk on Etsy

lustik:

Illegal city decor, Warsaw / Poland, Summer 2014 - NeSpoon.

Lustiktwitter | pinterest | etsy

theartofanimation:

Quan Pham Tung

slowartday:

Adam Ferriss

(Source: ssophoo)